The Discovery of a Well in the Tower of the Pulci in Florence

It is in fact this horse-shoe shaped palace, whosekeep to certain basic rules which were to ensure
two wings stretch from Palazzo Vecchio to thethat the newly reconstructed areas of the building
Arno, that actually creates the square itself; thecould in some way be recognized from the
porticoes on the western side open off into Viaoriginal. Therefore a zig-zagging fracture line
Lambertesca, a narrow street that leads right intodivides the floor of the huge Assembly Hall on the
the heart of the oldest part of the city, thefirst floor, to delimit the area that fell to the
mediaeval area that Vasari partly demolished toground, and another line on the facade, a vertical
make room for his new creation.It was here thatone this time, divides the ancient decorated walls
the mafia car-bomb exploded on the night of Mayfrom the new. Two large canvases by the painter
27th 1993, on the corner between ViaBartolomeo Bimbi were unfortunately irreparably
Lambertesca and Via dei Georgofili, killing fivedamaged and could be replaced. This catastrophe,
people and causing damage to the artistic heritagehowever, led to some unexpected and
of Florence. The explosion seriously damaged theextraordinary results, like the discovery of seven
upper rooms of the Uffizi and disembowelled thesmall rooms, which were once part of the State
ancient house and tower of the Pulci familyArchives, later walled up and forgotten and now
beneath it, from 1932 the seat of the historicavailable for the use of Academy of the Georgofili
Academy of the Georgofili, specialized inonce more. Above all it revealed the existence of
agricultural studies and the conservation of thea well and staircase system that leads up from
territory since 1753. The tremendous sight is still athe cellars to the upper floors and which probably
vivid memory for all the rescuers who firstis the last trace of the house that the Florentine
arrived on the scene after the explosion: this timeland register of 1427 noted as being the property
the small palace of the Georgofili, which hadof Jacopo di Francesco de' Pulci and father of
survived so many wars and floods, seemed reallyLuigi, a friend of Lorenzo Il Magnifico and author
to have suffered its death blow. One half of itsof the poem "Morgante". The house and tower
facade (200 square metres) had been completelystill bear the name of the Pulci family even today,
destroyed, shattered in the explosion, a huge pit,in spite of the fact that the building appears to
about ten metres deep, had opened up in thehave passed to the Gherardini family after
interior, while the whole of the south wall, which1433.The well and the staircase that winds around
faced onto the Courtyard of the Caldaie, was init and reaches the top floor of the Uffizi Gallery
danger of collapsing, because it had been shiftedare now free of the walls and plaster that once
10 centimetres by the impact. The attic-flat thathid them; the grey stone archivolt and steps have
had been created at the top of the tower in thebeen restored in order to form a single and
early 20th century had crashed to the ground,harmonious unit with the various rooms of the
covering the bodies of the four people who livedAcademy. Apart from being an unexpected
in it with rubble: the caretaker of the Academy,reward for all those who worked on restoring the
her husband and their two little daughters, onebuilding, this discovery is yet another
aged nine and the other only two months. Thedemonstration of Giorgio Vasari's skill in
fifth victim was a student who lived in the houseconstruction, as he managed to incorporate the
opposite, which was also directly hit by theancient tower of the Pulci family into the
explosion.Florence has always replied to barbaricrevolutionary architecture of the Uffizi without
acts such as this by immediately getting on withdestroying it.
mending her wounds and rebuilding everythingIn fact the original project included plans to
that has been damaged "as it was and where itexpropriate and demolish at least 43 houses and
was". Once the huge patrimony of bookstowers in order to build the new palace of the
belonging to the Academy (50.000 volumes plus"Uffici" or offices, but Cosimo de' Medici decided
4.000 essays from the archives of the Georgofili)that this would be far too expensive in the long
had been carried away to safety and all therun and therefore the most of the buildings were
rubble removed, the walls that were still standingspared though they were eventually incorporated
were reinforced and the ones that had beeninto the new construction. The Tower of the Pulci
destroyed were reconstructed. Traditionaland the results of this extraordinary restoration
techniques were combined with advancedwork can be visited daily during the hours in which
technological solutions: the roof and bent tilesthe Academy of the Georgofili is open to the
were made by hand, the corbels and capitalspublic and that is from Mondays to Fridays, from
carved by Florentine craftsmen but use was also3.00pm to 6.30pm.Alberto Scarsi is Chief Editor at
made of mortar injections, chains, steel plates and: Your source for accommodations in Florence,
bolts. Great care was taken during restoration toItaly.